True codec support
Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes. No unofficial frameworks, and zero hacks. Every codec gets transcoded as its makers intended it to.
Parallel power
EditReady's transcoding engine is optimized to the fullest to make use of all the CPU and GPU power you have available. No need to fiddle with optiziming; EditReady automatically scales up if resources are available.
Built for editors
Each workflow is different, so EditReady has a wide range of mezzanine and proxy formats available to transcode your footage into: ProRes, DNxHD (Op1A and OpAtom), H.264, and H.265 (HVEC) give you all the flexibility you require.
Review and edit metadata
EditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Use metadata to automatically rename files, or burn data into overlays.
Dealing with RAW
With RAW, accuracy is paramount. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries.
Color Awareness
When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises.
Play back, trim, add LUTs
And there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips.
Overlays and burn-ins
Use the overlay editor to position graphical elements for compositing on top of your video. Import images with alpha channels to apply complex bugs or watermarks. Layout custom formatted text, including metadata values from the source media. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata.
